![]() The north and south elevations have been updated with steel window and door replacements.Įight of the ateliers are part of a three-storey wing on the west, while the remaining four are housed in the former double-bay factory hall. ![]() A new extension, meanwhile, offers premises for lofts, offices and galleries. Swathes of bare concrete and brickwork will allow the compound’s future residents to shape their individual salons to their needs. Photography: Werner Huthmacher Photography and FCBStudios To wit, Spreehalle preserves much of the ‘industrial patina accumulated during history’ across a 2,500 sq m area.Īll units are completed to the standard of ‘shell and core’ so that the interior finishes can be determined by the atelier owners. Bryan adams photography free#‘The underlying idea was to create this “raw space”, clean, clear and free from fripperies and impositions that would allow the users to represent their own personalities and requirements within the ateliers,’ explain the architects. Located in the southeastern district of Treptow-Köpenick, the newly minted Spreehalle will house 12 artist’s ateliers in a former factory building that was one part of an extensive complex belonging to the AEG Kabelwerk group (General Electric Company). Feilden Clegg Bradley has retained the industrial bones of the building, which dates from 1910, including two distinctive brick and steel halls. The latest creative nerve centre to be unveiled is a project developed by London-based firm Feilden Clegg Bradley Studios, in tandem with musician and photographer Bryan Adams, Hoidn Wang Partner, and Sauerzapfe Architekten. From underground bunkers to converted fetish clubs, Berlin’s art scene has always disrupted the status quo. ![]()
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